'Today I saw the Future of Folk! - Festival goers flocking in their thousands towards main stage to witness the young musical phenomenon from Australia dish out an absolute show-stopper at the evening's end.

It's not often that what we are told in this industry is reality, but I can tell you...the hype surrounding this kid is!

Daniel Champagne's guitar skills are indeed unparalleled, I've seen all the great players but have never heard such a sound come out of one instrument. Prowling the stage with it swinging around his shoulders and through the air, his hands are a blur as he taps notes with both hands, beats out rhythms on the body and toys with our emotion in a musical rollercoaster running from all out attach to complete silence with a mere slide of hand. Each song is a polished gem delivered in the vein of a Folk troubadour, yet with an exiting youthful flair. But it's the manner in which he holds his audience...his commanding stage presence, cheeky road stories of a 21yr old on the international circuit and his old school dancing-in-the-crowd, guitar behind the head showmanship that had the audience in hysterics and had me convinced that we've really struck gold here.

In the age of Hip Hop and processed rock music where our folk players are getting pushed to the festival side stages in place of the more 'popular' acts. It’s a true joy to see a young performer steeped in our rich folk tradition who is able to hold a festival crowd both young and old with just a guitar, a voice and an old thing called talent!' 

(Exert from 'The Firefly Column' San Francisco by Anthony James)