ptabT16-Marching through Georgia Notice the way this overtly square little tune achieves a subtle natural syncopation with it's dotted quarter notes. (See bars 2 and 4). I've enhanced it's country ragtime feel by incorporating bass line movement via chord substitutions. For example in bars 6-9 instead of playing I 1 I 1 I 5 I 5 I , I have gone with I 1, 6 I 4 I 2 I 5 I . This adds harmonic drama, gives the basses a nice moving line and counterpoint to the melody and,importantly for me, doesn't add over much to the difficulty of the fingering.CGuitarAcoustic Grandh@Standard@;72-( CGuitarIn CTempoMarker CSection2  CChordText  CStaff3  CPosition CLineData#  # !#@@B!!#B   b bbbc!c CMusicBarAA2      3  @ @B!!!##!b @ @b  b bBccB`!`AAA2       ! !3 !#@@@ !@ #BB@!!#`  b bccb!AAA2 g     !3  #B ####!b @ @b  ` ``b @ @!bAAA2 >   $3  B!!#Bb @b  b @ bb @bc!cAAA2X    $3  ##!b @ @b  b @ bb @b B`!`AAA2/      !3 # !@ #BB@!!#` @  b bccb!AAA2     !3  #B ####!b @ @b  ` ``b @ @!bAAA2 J  !@bUntitled!h@Bass+&!2 }  ArialTimes New RomanTimes New Roman